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Bernard Alfred "Jack" Nitzsche (22 April 1937 – 25 August 2000) was a musician, arranger, producer, songwriter, and film score composer. He first came to prominence in the late 1950s as the right-hand-man of producer Phil Spector, and went on to work with the Rolling Stones, Neil Young and others. He also worked extensively in film scores, winning a song of the year Oscar in 1983 for co-writing "Up Where We Belong" (from ''An Officer and a Gentleman''.) == Life and career == Born in Chicago, Illinois, to German immigrant parents, and raised on a farm in Newaygo, Michigan, Nitzsche moved to Los Angeles, California in 1955 with ambitions of becoming a jazz saxophonist. He found work copying musical scores, where he met Sonny Bono, with whom he wrote the song "Needles and Pins" for Jackie DeShannon, later covered by the Searchers and many others. His own instrumental composition "The Lonely Surfer" entered Cash Box August 3, 1963, became a minor hit (#37 Cash Box), as did a big-band swing arrangement of Link Wray's "Rumble". He eventually became arranger and conductor for producer Phil Spector, and orchestrated the ambitious Wall of Sound for the song "River Deep, Mountain High" by Ike and Tina Turner. Besides Spector, he worked closely with West Coast session musicians such as Leon Russell, Roy Caton, Glen Campbell, Carol Kaye, and Hal Blaine in a group known as The Wrecking Crew. They created backing music for numerous sixties pop recordings by various artists such as The Beach Boys and The Monkees. Nitzsche also arranged the title song of Doris Day's ''Move Over, Darling'' that was a successful single on the pop charts of the time. Nitzsche also was the producer and arranger for two of Bob Lind's albums: ''Don't Be Concerned'' and ''Photographs of Feeling''; a compilation disc entitled ''Elusive Butterfly: The Complete 1966 Jack Nitzsche Sessions'', issued in 2007, contains the material on these two albums. While organizing the music for ''The T.A.M.I. Show'' television special in 1964, he met The Rolling Stones, and went on to contribute the keyboard textures to their albums ''The Rolling Stones, Now!'' (or ''The Rolling Stones No. 2'' in the UK), ''Out of Our Heads'', ''Aftermath'' and ''Between the Buttons'', as well as the hit singles "Paint It, Black" and "Let's Spend the Night Together" and the choral arrangements for "You Can't Always Get What You Want".〔 In 1968, Nitzsche introduced the band to slide guitarist Ry Cooder, a seminal influence on the band's 1969-1973 style. Some of Nitzsche's most enduring rock productions were conducted in collaboration with Neil Young,〔 beginning with his production and arrangement of Buffalo Springfield's "Expecting to Fly", considered by many critics to be a touchstone of the psychedelic era. In 1968, he produced Young's eponymously titled solo debut with David Briggs. Even as the singer's style veered from the baroque to rootsy hard rock, Young continued to work with Nitzsche on some of his most commercially successful solo recordings, most notably ''Harvest''. Nitzsche played electric piano with Crazy Horse throughout 1970 (a representative performance can be heard on the ''Live at the Fillmore East'' album). Nitzsche also played keyboards on the first Crazy Horse album, ''Crazy Horse'' (recorded 1970 and released 1971), which he produced, as well as featuring as composer and lead singer of the honky-tonk number ''Crow Jane Lady''. While prolific and hard working throughout the 1970s, he began to suffer from depression and problems connected with substance abuse. After he castigated Young in a drunken 1974 interview, the two men became estranged for several years and would only collaborate sporadically thereafter; later that year, he was dropped from Reprise Records' roster after recording a scathing song criticizing executive Mo Ostin. This desultory period culminated in his arrest for allegedly breaking into the home of and then raping ex-girlfriend Carrie Snodgress, formerly Young's companion, with a gun barrel on June 29, 1979. Snodgress was treated at the hospital for a bone fracture, cuts and bruises and had 18 stitches. The charge of rape by instrumentation (which carries a five-year sentence) was eventually dismissed.〔() 〕 In 1979, he produced Graham Parker's album ''Squeezing Out Sparks''. Nitzsche produced three Willy DeVille albums beginning in the late 1970s: ''Cabretta'' (1977), ''Return to Magenta'' (1978), and ''Coup de Grâce'' (1981). Nitzsche said that DeVille was the best singer he had ever worked with.〔''See'' Edmonds, Ben (2001) Liner notes to ''Cadillac Walk: The Mink DeVille Collection.'' Edmonds wrote, "During my last conversation with Nitzsche, only months before his death last year, the irascible old witch doctor couldn't stop taking about the new album he'd been plotting with Willy (DeVille), and how DeVille was the best singer he had ever worked with."〕 In the 1970s he began to concentrate more on film music rather than pop music, and became one of the most prolific film orchestrators in Hollywood in the period, winning an Academy Award for Best Song for co-writing with Will Jennings and Buffy Sainte-Marie "Up Where We Belong" from 1982's ''An Officer and a Gentleman''. (Nitzsche had already worked with Sainte-Marie on ''She Used to Wanna Be a Ballerina'' in the early 1970s.) Nitzsche had also worked on film scores throughout his career, such as his contributions to the Monkees movie ''Head'', the theme music from ''Village of the Giants'' (recycling an earlier single, "The Last Race"), and the distinctive soundtracks for ''Performance'', ''The Exorcist'',〔 ''One Flew Over the Cuckoo's Nest'',〔 ''Hardcore'' (1979), ''The Razor's Edge'' (1984), and ''Starman'' (also 1984). He was nominated for an Oscar and a Grammy for his contributions to One Flew Over the Cuckoo's Nest, his first of many studio projects with multi-instrumentalist and composer, Scott Mathews.〔〔Kim Bouwman (2006-05-29). "Interview with Scott Mathews". Hit Quarters. Retrieved January 8, 2013.〕 At the start of the next decade, he scored ''Revenge'' (1990). On ''Revenge'' he worked with Joanna St. Claire, who wrote, recorded and produced the original song "Are You Ready" for the film's soundtrack.〔() 〕 His intensive output declined somewhat during the rest of the decade. In the mid-1990s, a clearly inebriated Nitzsche was seen in an episode of the reality show COPS, being arrested in Hollywood after brandishing a gun at some youths who had stolen his hat. In attempting to explain himself to the arresting officers he is heard exclaiming that he was an Academy Award winner. In 1997, he expressed interest in producing a comeback album for Link Wray, although this never materialized due to their mutually declining health. His first wife was blue-eyed soul singer Gracia Ann May; they divorced in 1974. In 1982, he married Buffy Sainte-Marie; although they had separated by the early 1990s, it is unclear〔(【引用サイトリンク】title=Jack Nitzsche Biography )〕 if they ever divorced. He was frequently seen once more in the company of Carrie Snodgress throughout the 1990s. Nitzsche suffered a stroke in 1998 that effectively ended his career. He died in Hollywood's Queen of Angels Hospital in 2000 of cardiac arrest brought on by a recurring bronchial infection.〔〔Brown, Mick (2007). ''Tearing Down the Wall of Sound: The Rise and Fall of Phil Spector'', pp. 28-29. Random House, Inc.〕 The R.E.M. instrumental b-side "2JN" was written by guitarist Peter Buck the week Nitzsche died, and the title uses his initials in tribute.〔Liner notes to ''In Time: The Best of R.E.M. 1988–2003 special edition, by R.E.M.''〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jack Nitzsche」の詳細全文を読む スポンサード リンク
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